然而就未来主义诗歌来说,情况则不这么简单了,因为不管未来主义诗歌是什么--就算承认它赖以存在的理论基础都是正确的--这种形式也很难被归入文学。
71. But it is a little upsetting to read in the explanatory notes that a certain line describes a fight between a Turkish and a Bulgarian officer on a bridge off which they both fall into the river--and then to find that the line consists of the noise of their falling and the weights of the officers, Pluff! Pluff! A hundred and eighty-five kilograms.
但当我们先是从注释中得知某诗行讲述了一个土耳其军官和一个保 加利亚军官在桥上动手打架并双双掉进河里,而后却发现该行诗中不过只充斥着扑通,扑通,185公斤重这类对他们落水时的动静以及对军官们体重的描写时,我们不免感到困惑不安。
72. The coming of age of the postwar baby boom and an entry of women into the male- domiated job market have limited the opportunities of teen-agers who are already questioning the heavy personal sacrifices involved in climbing Janpans rigid social ladder to good schools and jobs.
战后婴儿潮一代的步入成年以及女性打入男性主导的劳动力市场使得青少年的发展机会变得极为有限,他们已经在不停地质疑为了爬上日本国内那通往优秀学校和体面工作的严酷的社会阶梯而做出的巨大的个人 牺牲。
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