On the other hand, there are hundreds of wandering troupes that sleep in makeshift tents and perform at farmers' weddings and funerals. They may have never heard of Stanislavski, but they bring cheers and tears from real audiences who pay to watch them. For a long time, these performers were either banned or harassed. The good thing is, the government has finally come to recognize their value and allows them to carry on.
The Rent performers are certainly not this type. They are highly educated and, though not quite polished, exhibit a high level of professionalism that is a throwback to the old-time "piaoyou". This was the loyal fan base of Peking Opera that not only set the tone for critical evaluation, but organized decent performances of their own. In a sense, they are the backbone of this performing art.
I am a big fan of Broadway musicals. I stood in line for hours to catch one of the earliest shows of Rent, on Broadway, back in 1996. I've also watched a few productions by the Central Drama Academy, including the atrociously translated Fame. I feel I have a right to be thrilled when I see a diamond in the rough.
Fortunately, the Rent troupe caught the attention of Don Frantz, who is the representative of a big Broadway production company in China. He not only provided some financial support, but sent out messages to his friends - the impresarios and critics of the city. He also provided his living room as the troupe's rehearsal space.
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