"The Broadway Rent started as a workshop production, something similar to this," he says, and it ended up having a 12-year run. Of course, this Rent is not eyeing that kind of lofty goal, but it may have some potential as a commercial production.
There are reportedly 250,000 people living in Beijing's basements and suburbs who are struggling to succeed just like the characters in Rent. The story, with its rock style, should speak to them. Rent was inspired by Puccini's La Boheme, about a similar bunch in fin-de-siecle characters in Paris. The beauty of this basement production is its ubiquitous local references. It could only have been done by someone who has absorbed the essence of the original, as well as understood the target market - not someone hidden in an ivory tower.
You may wonder why the Broadway Rent could run for 5,124 performances while a Chinese hit like Teahouse has yet to reach its 600th performance, and that's counting the total since its debut in 1958. There are many factors at play here, economic, cultural, political. But one difference is crucial: Broadway has a group of devout fans who, like Jia Yi, Xu Feili and their comrades, love this art form, and nurture it till it reaches a mass audience. In today's China, it may be technology-enabled advocates like them who are sowing the seeds for the future growth of this emerging art.
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