在商业化的黑胶唱片这一最不可能的条件中,他重新赋予诗歌语言以高昂的姿态,这是自浪漫主义时代之后便已失掉的风格。不为歌颂永恒,只在叙述我们的日常,好似德尔斐的神谕正向我们播报着晚间资讯。
Recognising that revolution by awarding Bob Dylan the Nobel Prize was a decision that seemed daring only beforehand and already seems obvious. But does he get the prize for upsetting the system of literature? Not really. There is a simpler explanation, one that we share with all those who stand with beating hearts in front of the stage at one of the venues on his never-ending tour, waiting for that magical voice.
通过授予鲍勃•迪伦诺奖来认可这一革命,初时似乎会觉得过于大胆,但现在已然觉得理所应当。但他获得文学奖是因为颠覆了文学系统吗?并不是。还有个更简单的解释,这个解释所有看过迪伦演出的观众都懂,他们都怀着一颗跳动的心站在迪伦那永不停歇的巡演舞台前,等待着那魔力般的声音响起。
Chamfort made the observation that when a master such as La Fontaine appears, the hierarchy of genres - the estimation of what is great and small, high and low in literature - is nullified. “What matter the rank of a work when its beauty is of the highest rank?" he wrote. That is the straight answer to the question of how Bob Dylan belongs in literature: as the beauty of his songs is of the highest rank.
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