To read the Thomas pieces was, simply, to doubt them. And to wonder if its editors had ever actually met a soldier on his way to or from Iraq, or talked to any human being involved in the modern military.
The diaries appear to be another case of journalistic fabulism. This week came word, via the published transcript of a telephone conversation between “Thomas,” who is actually Scott Thomas Beauchamp, and his editors. It is actually painful to read. The editors almost plead with him to stand by his work, after months of critics' picking them factually apart. He won’t do it. He doesn’t want to talk to “the media.” He’s said enough.
...
I’ll jump here, or lurch I suppose, to something I am concerned about that I think I am observing accurately. It has to do with what sometimes seems to me to be the limited lives that have been and are being lived by the rising generation of American professionals in the arts, journalism, academia and business. They have had good lives, happy lives, but there is a sense with some of them that they didn’t so much live it as view it. That they learned too much from media and not enough from life’s difficulties. That they saw much of what they know in a film or play and picked up all the memes and themes.
In terms of personal difficulties, they seem to have had less real-life experience, or rather different experiences, than their rougher predecessors. They grew up affluent in a city or suburb, cosseted in material terms, and generally directed toward academic and material success. Their lives seem to have been not crowded or fearful, but relatively peaceful, at least until September 2001, which was very hard.
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