显然，这项研究存在一些缺陷。首先，自我报告法容易产生主观偏差。其次，调查对象仅限于表演艺术家，结论未必适用于其他人群。

Nevertheless, the finding, the researchers said, may indicate that adult performers who have experienced childhood adversity are better able to recognise and value the creative process; and the ability of that group to enjoy the creative process could indicate resilience.

研究人员指出，结果显示，童年不幸的表演艺术家更认可和重视创作过程，他们能享受创作过程或许也是他们适应生活的手段。

"We are saddened by the number of participants in our study who have suffered multiple forms of childhood adversity as well as adult assaults (both sexual and non-sexual)," Thomson told Psypost.

汤姆森告诉Psypost网站说：“参与我们研究的很多人童年时期都经历过多种不幸和来自成年人的性侵或其他攻击，这让我们很伤感。”

"So many participants in our sample have experienced poly-traumatization and yet they also embrace their passion for performance and creativity. They are embracing ways to express all that is human."

“我们采样的对象中有这么多人经历过多重精神创伤，但他们却依然富有表演和创作的激情。他们努力用各种方式表达出人性的一切。”

The research has been published in the journal Frontiers in Psychology.

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