该片延续了冯导一贯的风格,加入一些令人印象深刻的戏谑台词,例如:“成全别人、恶心自己。”及冯小刚戏谑自嘲的那句:“中国电影,无论多烂,都与艺术无缘。”
Jokes aside, Wang’s script grows increasingly serious, making modest yet satirical criticisms of China’s political, artistic and economic values in the process.
在种种笑料之外,王朔的剧本也变得越发严肃,在片中对于中国的政治、艺术以及经济价值进行了一番适度而辛辣的调侃。
After all, the film is about “sending a message”. Coming from director Feng — a man with a big ego — that’s almost predictable. But maybe because Feng is too busy dealing with his ambition, the film never allows any of its four principal characters to really come into focus.
该片终究难逃“传达信息”的主题。而出自自我意识很强的冯导之手,这也完全在意料之中。或许是因为冯导疲于去实现自己的远大抱负,片中的四位主角形象显得不够突出。
The last 15 minutes of the film take a 180-degree turn and become almost a public service announcement — an odd and unexpected ending to a consistently surprising comedy.
影片在最后15分钟时180度大转弯,几乎快成了一部公益宣传片,为这部惊喜不断的喜剧电影画上了一个令人摸不着头脑的结局。
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2020-09-15
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