Alfonso Cuaron and his colleagues, most notably the cinematographer Emmanuel Lubezki, the production designer Andy Nicholson and the filmmaker's co-writer, Jonas Cuaron, have made a motion picture that expands the way motion pictures will be made. Readers with an interest in technology can get a sense of their extraordinary achievements from last month's cover story of American Cinematographer, which is available online. But the emotional essence of the film is already known to anyone who has seen it, and has been swept away by it-into the outer space of silence and menace, into an inner space of deep delight.
在导演阿方索•卡隆(Alfonso Cuaron)和同事们(其中包括知名电影摄影师艾曼努尔•卢贝兹基(Emmanuel Lubezki)、制片设计师安迪•尼克尔森(Andy Nicholson)和编剧霍纳斯•卡隆(Jonas Cuaron))的共同努力下,《地心引力》丰富了电影的拍摄手法。《美国电影摄影师》(American Cinematographer)杂志上个月的封面故事刊载了关于《地心引力》制作过程的文章,对电影技术感兴趣的读者可以一探究竟。读者们可以在网上阅读该杂志。不过任何看过《地心引力》的观众都已经领会到了该片的情感内涵,这部电影把观众们带进入了一个寂静危险的外太空和一个深度愉悦的内心世界。
After 'Gravity' and 'American Hustle,' my picks are in alphabetical order:
除了《地心引力》和《美国骗局》,我还选出了其他一些口碑不错的影片(按字母顺序排列):
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