So, what is your assessment of Feng and his behavior? Is he a loose cannon whose childish recklessness will eventually undo his career, or is he a rare exception in a business where a facade of hypocrisy is to be meticulously maintained even though backstabbing is generally the norm? By attacking Weinstein at such a high-profile event, said some pundits, Feng had cut out the possibility of his movies ever finding their way into wide distribution across the Pacific.
Showbiz is not an industry whose practitioners can freely express themselves, at least not those in the big league. They have public personas from which they derive their livelihood. The public has a certain expectation of them, which is usually determined during the molding phase of a career. Feng started out as witty but non-confrontational, a positioning shaped by his early comedies. But as revealed in his two memoirs, he kept his head low and his works inoffensive so that they would have an easier time with both censors and audiences.
As his status as the top film comedian of our age solidified, he became more and more vocal. In 2004, he led a relief charity drive for the survivors of the Indian Ocean tsunami. In recent years, he has repeatedly assailed the country's film censorship system. After the release of his latest comedy, Personal Tailor, he threw down the gauntlet to the nation's film critics, whom he charged with deliberately misguiding the public.
All these are shortcuts to upsetting different strata of society. Even the charity effort effectively set him against the glitterati he managed to organize because each of them deemed it a snub when they did not get the publicity they sought. I won't go into details about the ruckus with the critics because it involved me as well.
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