但是,陈可辛并没有落入俗套,而是将影片一分为二,后半程的故事直接从两年后开始讲起。田文军得到一条线索,说有人在距离他们家13小时车程的安徽县城看见了他的儿子。影片接下来则围绕田文军和前妻如何相互劝服彼此,将自己的儿子从她的新母亲李红琴(赵薇 饰)手中“偷”走而展开。
That’s where the movie really start to get interesting, and to tug at your heartstrings with its based-on-a-true-story premise. It’s quite a daring move for Chan to withhold the film’s strongest performer, Zhao, until the midway point.
此时,电影才开始变得真正有趣起来,而根据真实故事改编的动人之处也逐渐显现。将电影中实力最强的演员赵薇安排在影片一半处才出现,可谓陈可辛颇为大胆之举。
Whereas the other cast members deliver great but predictable performances, Zhao brings contradictions and intrigue to her character. It’s more than impressive to see how she’s able to feed each new crying scene with slightly different emotion. Nothing is too weepy or melodramatic in her performance here.
虽然其他演员都发挥不错,但表演都在预料之中,而赵薇却将其人物的矛盾与纠结表现的淋漓尽致。每一场哭戏中她都演出了情绪的微妙不同,让人印象颇深。而她的表演中却丝毫没有矫揉造作或是过于浮夸之感。
【《亲爱的》:但见泪痕湿 不知心恨谁】相关文章:
最新
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15