In a brisk six minutes, Feast tells a funny and relatable story with masterful economy, and all within the restrictions noted above. Debuting director Patrick Osborne, who was head of animation on Disney’s Oscar-winning (and equally romantic) Paperman, captures the behavior and movements of a dog with an observant deftness that will charm any canine lover, with just a soupçon of anthropomorphism. This instant classic is yet another sign that Disney Animation under John Lasseter’s leadership has reached the same level of excellence as the fabled Pixar.
在这段节奏紧凑的六分钟视频里,《盛宴》用大师级的剪裁技巧讲述了一个风趣幽默又与每个人息息相关的故事,而且篇幅严格限制在上述的时间限制之内。该片的导演、新锐导演帕特里克·奥斯本是迪士尼出品的奥斯卡获奖动画片《纸人》制作团队中的主要角色,他细致而熟练的捕捉了小狗行为动作的娇憨之态,让所有爱犬人士为之倾倒,甚至传达出几分自然万物同形同性的味道。这部已然跻身经典的作品再次证明了,在约翰·雷斯特的领导下,迪士尼的动画团队的杰出程度已然可以媲美著名的皮克斯动画公司。
Feast’s closest competition in the Oscar race is the very inventive The Bigger Picture from Britain. Director Daisy Jacobs mixes media and techniques in a way I haven’t seen before, with two-dimensional characters painted onto flat surfaces interacting with real miniature sets and props. The story itself centers on a very adult dilemma, as two brothers bicker over the care of their elderly, dying mother. The decision to have the faces and torsos of the siblings immobilized on various walls was perhaps intended to underline how wearying such situations can be on a family. Surreal touches like a vacuum cleaner sucking up all the people and objects in a room help enliven this morose but creatively intriguing short.
【《盛宴》:2017奥斯卡最佳动画短片?!】相关文章:
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