斯皮尔伯格和他的一些朋友参与创造了这个怪物。这让他获得了一定的称道,也让他遭受了一定程度的怀疑。他是唯一一个有可能拍出这部电影的人,也是原本最不应该被允许获得这一素材的人。
That material has issues of its own. Mr. Cline’s book — readable and amusing without being exactly good — is a hodgepodge of cleverness and cliché. Less than a decade after publication, it already feels a bit dated, partly because its dystopian vision seems unduly optimistic and partly because its vision of male geek rebellion has turned stale and sour.
这一素材有自己的问题。克莱恩的书可读性强、有趣味、但又确实不算出色,它是小聪明和陈词滥调的大杂烩。出版不到十年,它已经感觉有点过时了,部分是因为它的反乌托邦愿景似乎过于乐观,部分是因为它的男性极客反叛愿景已经变得老套和乏味。
In the film, set in 2045, Wade Watts (a young man played by the agreeably bland, blandly agreeable Tye Sheridan) lives in “the stacks,” a vertical pile of trailers where the poorer residents of Columbus, Ohio (Oklahoma City in the book), cling to hope, dignity and their VR gloves. Humanity has been ravaged by the usual political and ecological disasters (among them “bandwidth riots” referred to in Wade’s introductory voice-over), and most people seek refuge in a digital paradise called the Oasis.
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