Ocelot told China Daily: "I chose the year 1900 as the setting for my film, as I believe it was a beautiful era that saw many of the world's finest and most talented artists and scientists gather in Paris. Despite having all passed away, their legacy will benefit humankind now and forever."
在对老导演欧斯洛的采访中,他谈到:“我之所以选择1900年作为电影发生的年代,是因为这是一个特别美好的时代,在巴黎汇聚了全世界最优秀、最有天赋的一群艺术家和科学家。尽管他们都已过世,但他们所带给这个世界的遗产,将永远惠泽人类。”
As the former president of the International Animated Film Association, Ocelot says he has long held a strong interest in Chinese animation, especially Shanghai Animation Film Studio's classics, such as Three Monks and Little Tadpoles in Search of Their Mother.
有趣的是,这位老导演曾担任国际动画电影协会的主席,他也曾对中国动画产生过浓厚的兴趣,甚至能如数家珍地道来上海美术电影制片厂的经典之作,如《三个和尚》和《小蝌蚪找妈妈》等。
Chinese culture has also become his new source of artistic inspiration, reveals the director, who is planning to make the 15-minute animated flick A Dream Lover, inspired by his visit a few years ago to see the ancient architecture in Hangzhou, capital of Zhejiang province. The Chinese story will be about the daughter of a pharmacy owner.
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2020-09-15
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