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我最喜欢的一首诗

他得书法得之于“二王”而又能独创新意。他的楷书端正谨严。规矩至极，黄山谷誉为“唐人正书无能出其右者”。若说他的楷书是继承多于创造，那么他的草书则是书法上了不起的创新与发展了。韩愈说：“旭善草书，不治他技故旭之书，变动如鬼神，不可端睨。”杜甫在《八仙歌》中写道：“张旭三杯草圣传，脱帽露顶王公前，挥毫落纸如云烟。”他能把书法艺术升华到，用抽象的点线去表现书法家思想情感高度的艺术境界。在书法艺术中，他的字貌似怪而不怪，关键在于点画用笔完全符合传统规矩。可以说，他是用传统技法表现自己的个性，而在书法上成了有创造力的无愧于自己时代的书法家。博大清新，纵逸豪放之处，远远超过了前代书法家的作品，具有强烈的盛唐气象。

He got calligraphy from the "two kings" and original ideas. His regular script is correct and strict. Huangshan Valley is known as "the one who can't get the right of authentic books of the Tang Dynasty". If his regular script inherits more than creates, then his cursive script is a great innovation and development in calligraphy. Han Yu said, "Xu is good at cursive script. If you don't control his skill, Xu's script will change like a ghost or a God, you can't look at it." Du Fu wrote in the Eight Immortals' song: "Zhang Xu's three cups of grass sage biography is like a cloud of smoke before he takes off his hat and exposes his crown prince." He can sublimate the calligraphy art to the artistic realm of expressing the calligrapher's thoughts and emotions with abstract points and lines. In the art of calligraphy, his characters seem strange but not strange. The key lies in that the strokes used for stippling completely conform to the traditional rules. It can be said that he used traditional techniques to express his personality, and became a creative calligrapher worthy of his time in calligraphy. Broad and fresh, free and unrestrained place, far more than the works of the previous generation of calligraphers, with a strong atmosphere of the Tang Dynasty.