现在有人提出疑问:“传统戏曲非得传统演吗?”他们认为“现在生活节奏如此之快,已经没有多少观众有耐心闭着眼睛坐在那里,边听边跟着哼上好几个钟头了”。但是看戏嘛,本来就是去消遣的,要是赶着干什么急事儿,那么来看戏干什么?现在不也有许多年轻人去压马路,去喝咖啡,一逛、一喝就好几个钟头,这时候他们怎么不急了呢?所谓“生书熟戏”,为什么老戏唱了那么多年还有人听,不就是冲着那“闭着眼睛坐在那里边听边跟着哼”的劲头嘛?其实并不像有些人认为的那样“戏曲界的观念要有所转变了”,而是已有的观念实在荒唐。的确,观众的审美情趣在提高,选择的范围在扩大,他们完全有权利去看可看性极强的音乐剧或者在家里搜索电视频道看电视连继剧。但是难道因为这些原因就要把传统戏改成和音乐剧一样的玩意儿?观众喜好什么,就往传统戏里放什么,那请问“一批老观众”就喜欢老腔老调,你把传统戏都改成别的了,拿什么给这些人看?谁说戏曲的生存就一定要随时代的发展而发展呢?想来,流传至今的戏曲哪个不是传统剧目,那些胡编乱造的新编“戏曲”有哪些流传下来了?
Now some people ask, "does traditional opera have to be performed?" They think that "now the pace of life is so fast that not many viewers have the patience to sit there with their eyes closed, listening and humming for hours.". But going to the theatre is for entertainment. If you are in a hurry to do something urgent, why do you come to the theatre? Now, there are many young people who go to the streets and have coffee for hours. Why are they not in a hurry? The so-called "raw books and familiar plays", why do people still listen to the old plays after they have sung for so many years? Isn't it because of the momentum of "sitting there with your eyes closed and listening while humming"? In fact, it's not like some people think that "the concept of the opera industry will be changed", but the existing concept is really absurd. Indeed, the audience's aesthetic taste is improving, and the scope of choice is expanding. They have full right to watch musicals with strong visibility or watch TV series on the home search TV channel. But is it because of these reasons that we need to change the traditional drama into the same thing as musical drama? What do the audience like and put in the traditional opera? A group of old audiences like the old tune. What do you show these people when you change the traditional opera into something else? Who said that the survival of opera must develop with the development of the times? In my opinion, which of the operas that have been handed down to this day are not traditional operas, and which of the new "operas" have been handed down?
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