2. Static with dynamic lining. Such as "the bright moon and the pines shine, and the clear spring stone flows upward." (Wang Wei's autumn dusk in the mountain) the poet saw in the previous sentence: the bright autumn moon seems to pass through the filter in the pine forest. It is especially bright, casting mottled light and shadow, making the realm more peaceful. As the poet heard later, the mountain spring is very clear and clear. It flows on the rocks and seems to hear its tinkling sound. With the flow of spring against the "empty mountain" quiet.
3、化静为动。如“春风又绿江南岸,明月何时照我还。”(王安石《泊船瓜洲》)这个“绿”字写出了春风的气势、力量和作用,境界开阔,色彩鲜明,给人以春意盎然,生机勃勃的美感。
3. Turn static into dynamic. Such as "the spring breeze and the South Bank of the green river, when will the bright moon shine on me?" (Wang Anshi's "berthing boat and Guazhou") this "green" character describes the momentum, strength and function of spring wind, which has a broad realm, bright colors, and gives people a sense of spring and vitality.
4、以动写静。如“沙上并禽池上瞑,云破月来花弄影。”(张先《天仙子》)月本是相对静止的,但因为有了云的飘动,将“月”也写得动起来了。着一“破”字,写出明月冲破云层的动感。“花”本也是相对静止的,但着一“弄”字,便将它写得摇曳多姿起来。“弄”字意在点明:从云缝中探出头来的月亮,把月光洒在娇花上,像给娇花蒙上了一层轻柔的白纱,晚风轻轻地撩拨着含羞带娇的花。花在月光的映照下摆弄着娇羞柔美的倩影。“破”、“弄”两词,将云、月、花三种景物都人格化了,富有生命感。
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