4. Write in motion. For example, "the sand and the pond are closed, and the clouds break the moon to make shadows." (Zhang Xian's "celestial Fairy") the month was relatively static, but because of the floating clouds, the "month" can also be written. With the word "break", write the movement of the moon breaking through the clouds. "Flower" is also relatively static, but with a "Nong" word, it will be swaying up. The word "Nong" is intended to make it clear: the moon protruding from the clouds sprinkles the moonlight on the delicate flowers, like a layer of soft white yarn covering the delicate flowers, and the evening breeze gently stirs up the flowers with shame and delicacy. Flowers in the moonlight under the shadow of playing coquettish soft. The words "break" and "Nong" personify the three landscapes of cloud, moon and flower, which are full of a sense of life.
5、以实显虚。以有形显无形。如“绿杨烟外晓寒轻,红杏枝头春意闹。”(宋祁《木兰花》)“春意”是只可感知,不可听闻的。春天来了,红色的杏花挤满枝头,诗人就在这幅春景图上着一“闹”字,用拟人手法,把它写活了。这一“闹”字既是绘景,又是写情,它不仅描绘了杏花盛开的艳丽景色,还写出了在春风吹拂下,杏枝摇曳,花儿微动的活泼神情。
5. To show emptiness with reality. Visible and invisible. Such as "green poplar smoke outside Xiaohan light, Apricot Branches spring." (Song Qi's Magnolia flower) "spring" can only be felt, not heard. Spring is coming, red apricot flowers are full of branches. The poet wrote the word "Nao" on this picture of spring scenery, using anthropomorphic technique to make it live. This word "Nao" is not only a painting of scenery, but also a painting of sentiment. It not only describes the gorgeous scenery of apricot blossom, but also describes the lively look of the apricot branches swaying and the flowers moving in the spring breeze.
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