不少研究鲁迅小说艺术形式的成果也颇具新意。严加炎的《复调小说:鲁迅的突出贡献》利用巴赫金的复调理论,发现鲁迅小说是有着多种声音的复调形式,正是这种形式赋予了作品以丰富、多义的美学意蕴。张直心的《神思会通:鲁迅小说的现代主义审美取向》认为,鲁迅小说创作的成功实践印证了鲁迅化的现实主义理论与西方现代主义艺术方法并非势不两立,恰恰相反,它蕴涵着集合诸种方法冲突作用力的开阔性。李春林的《鲁迅与世界现代主义文学》也持同样的观点,他特别一反那种认为鲁迅只是受西方现代主义影响的观点,提出了“平行”说:“他并未完全抛弃传统现实主义,而又融入了新的‘文学趋势’——现代主义”。
Many achievements in the study of Lu Xun's novel art form are also quite innovative. Yan Jiayan's polyphony novel: Lu Xun's outstanding contribution uses Bakhtin's polyphony theory to find that Lu Xun's novels are polyphony forms with multiple voices, which endows the works with rich and polysemy aesthetic meaning. Zhang Zhixin's "Shensi Huitong: the modernist aesthetic orientation of Lu Xun's Novels" believes that the successful practice of Lu Xun's novel creation proves that Lu Xun's realism theory and Western modernist art methods are not irreconcilable, on the contrary, it contains the openness of integrating all kinds of methods to break through the force. Li Chunlin's Lu Xun and the world modernist literature also hold the same view. He especially opposes the view that Lu Xun is only influenced by western modernism, and puts forward the "parallel" theory: "he has not completely abandoned the traditional realism, but has integrated the new" literary trend "- modernism".
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