对下层社会不幸者精神状态的批判和鞭挞,基本上建立在鲁迅改良社会、民族进步的宏观视野上,属于“宏观叙事”,体现出的是作者对改造国民性的呐喊:“中观叙事”则指作品将叙述的背景移到比较封闭的、日常的人生场景,将主人公移向一些准“不幸”者,即被抛离了上流社会轨道而直接堕入下流社会的读书人,体现出的是作者对人性善的呼唤;而另外一些作品如《社戏》、《兔和猫》等,则主要是鲁迅自我情感的微波细流的寄托与抒发,属于“微观叙事”。这三种叙事方式共同构成了《呐喊》的“表现的深切”。
The criticism and criticism of the spiritual state of the unfortunate in the lower society is basically based on Lu Xun's macro vision of improving society and national progress, which belongs to the "macro narrative", reflecting the author's cry for the transformation of national character: "meso narrative" refers to the work moving the narrative background to a relatively closed and daily life scene, and moving the protagonist to some quasi unfortunate people, That is to say, the readers who have been thrown out of the orbit of the upper class society and directly fall into the lower class society reflect the author's call for the good of human nature; while some other works, such as social drama, rabbit and cat, are mainly the sustenance and expression of Lu Xun's self emotion, which belongs to "micro narrative". These three ways of narration together constitute the "depth of expression" of the cry.
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