张箭飞的《鲁迅小说的音乐式分析》认为,鲁迅小说中的许多章节和段落都契合了变奏、复格段、回旋曲、复调等音乐的旋律结构,具有独特的音乐美。赵卓的《鲁迅心理小说艺术综论》认为,鲁迅的小说大都属于心理小说,它以丰富多彩的心理结构形态和圆熟深刻的心理表现技巧,率先打开了一个全新的审美视野,是带动中国小说现代化转型的先锋创作。邹贤尧的《鲁迅小说的先锋性》把鲁迅小说放到今天的后现代文学的语境中,仍然发现了其形式的先锋和前卫:“我们在先锋作家作品中看到的‘叙事实验’、‘语言狂欢’等等,在鲁迅那里就有。鲁迅在现代文学奠基时期发出的声音,抵达遥远的今天,依然清晰而鲜活”。朱寿桐的《〈呐喊〉:叙事的变焦》认为,《呐喊》的叙事方式可分为“宏观叙事”、“中观叙事”和“微观叙事”三种。
According to Zhang Jianfei's analysis of the musical style of Lu Xun's novels, many chapters and paragraphs in Lu Xun's novels fit the melody structure of the music such as variation, Fugue, Rondo and polyphony, and have unique musical beauty. Zhao Zhuo's "a comprehensive review of Lu Xun's psychological novel art" holds that Lu Xun's novels are mostly psychological novels. With its rich and colorful psychological structure and sophisticated and profound psychological performance skills, it has taken the lead in opening up a new aesthetic field of vision and is the pioneer creation that drives the modernization and transformation of Chinese novels. In Zou Xianyao's vanguard of Lu Xun's novels, Lu Xun's novels are put into the context of postmodern literature today, and the vanguard and avant-garde of their forms are still found: "we can see the" narrative experiment "," language Carnival "and so on in the works of vanguard writers in Lu Xun's works. Lu Xun's voice in the foundation period of modern literature is still clear and fresh when it reaches a distant day. According to Zhu shoutong's shouts: the zoom of narration, the narrative mode of shouts can be divided into three kinds: "macro narrative", "meso narrative" and "micro narrative".
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