作为侯孝贤暌违八年的新作,《刺客聂隐娘》无疑是一部集智慧与美感于一身的精品之作——场面恢宏,谜团重重,尤其表现在电影的结尾:一股神秘的力量掀起了最后的高潮,给予观众震撼的视觉冲击。
Hou is concerned to do something new with the wuxia genre, to take it to the next level in his own language, and I think he is more successful here than Wong Kar-wai was with his The Grandmaster. He has brought to the wuxia material his own uncompromising seriousness, and welded this seriousness to the form’s mythic resonance.
侯孝贤想对武侠做一个全新的诠释,用自己的方式把武侠提升到一个更高的层次,在这方面我觉得他做得比王家卫的《一代宗师》更出色。他把不落俗套的严肃带到了武侠题材中,并使这种严肃与武侠电影的表现形式产生了神秘的共鸣。
It is based on the tale of Nie Yinniang or The Assassin, from the era of the Tang dynasty: in 809, a young girl played by Shu Qi is kidnapped and trained to be an assassin. But over a decade later, she is sent away by her master after failing to complete a killing and told to return to her hometown where she has a new target: a military governor who is her cousin and first love, played by Chang Chen, and so must choose between her family, her heart and her assassin’s creed.
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2020-09-15
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