他说自己周游世界,鼓励新崛起的画廊申请参展。
“There is no tenure at Art Basel, Mr. Spiegler said. “There is no seniority.
“巴塞尔艺术展不搞终身制,他说,“我们也不搞排资论辈。
But that depends on how you define tenure and seniority.
但这取决于你对“终身制和“排资论辈的定义。
Try, Try, Try Again
屡败屡战
Most galleries admitted for the first time, or after at least one year’s absence, end up in second-tier locations at the fair, according to six years of fair data. And most are not invited back thenext year. More established dealers — the Gagosians, Paces and Zwirners, who derive powerfrom their superstar clients and artists — dominate the inner aisles of the ground and secondfloors of the main hall, considered by many the most sought-after real estate in the art fairworld.
根据六年来的艺术展数据,大多数第一次被允许进入艺术展的画廊,或者中间缺席了至少一年的画廊,最后在展会上都只能得到二线位置。他们当中的大多数翌年就不会再获得邀请了。而像加戈西安(Gagosian)、佩斯(Pace)与兹沃纳(Zwirner)这样的常客交易商则会沾旗下的超级明星客户与艺术家的光,占据主会场一层与二层的内侧画廊,很多人都觉得这是艺术界最受人觊觎的位置。
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