时代变化的一个标志是英厄尔斯为21世纪福克斯(21st Century Fox)和资讯集团(News Corp)总部设计的世贸中心二号大楼(Two World Trade Center)。福斯特勋爵菱形屋顶的顶部设计是为银行设计的。英厄尔斯的替代方案是一堆可以反射翠贝卡街区(Tribeca,纽约市曼哈顿下城的一个街区——译者注)的立方体,同时为纪念遗址留下平滑的一面。
Media and technology companies — the city’s rising forces — are more imaginative clients thanbanks. They do not want a plain skyscraper but something smarter that they can show off.The pioneer of this trend in New York was Frank Gehry’s curvy IAC building, and Mr Ingels sayssuch buildings “must accommodate diversity, so a single extruded form does not make thecut.
这座城市正在崛起的力量——传媒和科技公司——是比银行更富有想象力的客户。它们想要的不是一座普通的摩天大楼,而是一座可以炫耀的、更智慧的大楼。在纽约,这种趋势的先驱是弗兰克•格里(Frank Gehry)设计的曲线形IAC大厦。英厄尔斯称,这样的建筑“必须包容多样性,因此单调的挤出形状是达不到要求的。
Another set of demanding clients are high-end property developers, who can secure higherprices if an apartment block has been stamped by a “starchitect. Mr Gehry and Mr Viñoly havedesigned such blocks in New York; while Herzog & de Meuron’s new Paris building, with itsglass triangle echoing IM Pei’s Louvre pyramid, will hold office space and a hotel.
【摩天大楼模糊城市个性】相关文章:
★ 怎样挖出违规员工
★ 小红帽
最新
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15