“大都会歌剧院应该尽可能地让观众容易接近,他说。
Toward that end, he said, he wanted to make the Met more welcoming by expanding andrenovating its cramped lobby — which the building’s architect, Wallace K. Harrison, was forcedto scale back to save money half a century ago. “What was left was this very tight fit betweenthe front doors of the Met and the entranceway, so in a period of 30 to 45 minutes before aperformance you have this mob scene of people trying to get into the opera house, Mr. Gelbsaid. “Which is good — at least people are trying to get in.
最后,他说,他想通过扩展和整修狭小的大堂来让歌剧院更受欢迎。半个世纪前,为了节省成本,这幢建筑的设计师华莱士·K·哈里森(Wallace K. Harrison)不得不按比例缩小了大堂。“结果,大都会歌剧院的前门和入口之间变得非常狭小,在演出开始前的30至45分钟时间里,你会看到这里挤满了想进入歌剧院的人,盖尔布说,“这也是好事——至少人们想进去。
The Met has engaged Levien & Company, a project management firm that has worked onother successful theater renovations in the city, to study how it might be able to build a lowglass enclosure running the width of the Met and extending 30 or 40 feet into the LincolnCenter plaza. That addition would add several thousand square feet of space that would allowthe Met to redesign its box-office area, gift shop and art gallery and to possibly add a cafe.
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