莫舍还搬出了诺贝尔奖得主,神经心理学家埃里克·坎德尔(Eric Kandel)在《思想的年代》(The Age ofInsight)一书,这本书讲的是“旁观者的分享,观者的参与如同一种合作,增添了艺术品的魅力,埃里奇·西格尔无疑会对他的话表示赞同。
“Ryan and Ali trigger a very powerful beholder’s share, Mr. Mosher said. “Their impact on ourpsyches happened together, and they are very generous performers.
“瑞安和艾丽触发了非常强烈的‘观者分享’,莫舍说。“与此同时,他们深深触动了我们的灵魂,他们是非常大方的演员。
The next night, when Ms. MacGraw and Mr. O’Neal walk out onstage at the 2,700-seat theater,they look so small. I’m feeling protective of my Jenny and Oliver. The audience rewards themwith big applause. I can’t relax until they get their first laugh. And then I remember: I havethree children, who don’t know where I am.
接下来的晚上,麦古奥和奥尼尔在一个有2700个座位的剧院演出,他们在台上看上去那么小。我真想保护我的詹尼和奥利佛啊。观众向他们报以热烈的掌声,直到看到观众们第一次大笑起来,我才松了口气,接下来才想起:我有三个孩子,他们根本不知道我到这儿来了。
I agree with Mr. O’Neal; the actors are doing what they’re meant to do, using one another’sencouragement and affection as life support. I forget that they are senior citizens as theytake the stage in “Love Letters.
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