dilemma, since the two media are not necessarily mutually exclusive alternatives.
Common sense tells us that a photographer can succeed by working in both media.
Third, the fact that more kinds of color film are available than black-and-white
film accomplishes little to support the argument. The difference in number might be
insignificant, and the distinctions among the types of color film might be negligible. In
fact, by implying that more choices in film type affords a photographer a competitive
advantage, the author actually undermines his larger argument that working solely in
color is the best way to succeed in the field of photography.
Finally, the argument ignores other factors―such as initiative, creativity, technical
skills, and business judgment―that may be more important than choice of medium in
determining success in photography. A poorly skilled photographer may actually be
disadvantaged by working in color insofar as color work requires greater skill, and
insofar as color photographers face keener competition for assignments.
In conclusion, this argument oversimplifies the conditions for gaining an
advantage in the field of photography. To better evaluate the argument, we need more
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