What distinguishes Schroder is its insight and language. Rain is not rain but the liquid redistribution of collective conflict. Laura has such a careful way with the truth. Ms Gaige excels at landscapes; her writing has the still, clear beauty of a mountain lake. Equally, she understands the terror of potential loss. Eric realises that there is only one thing that really deranges us and that is the disappearance of love. Linking too obviously to the symbolism of the cold-war Germany that Eric left behind, with its metaphors of flight and division, is the only misstep. Readers do not need such neat explanations to follow this flawed yet caring father. 《父亲的罪》脱俗之处不仅在于思想深刻,更在于语言奇妙。天上下的不再是雨水,而是蒸发后重新分配的集体冲突。劳拉谨慎地认知真相。女作家盖奇女士不仅擅长于描写景致,赋予笔下的山中湖一种静谧透彻的美,而且深谙可能失去某些人或事时的恐惧。埃里克认识到,世上真正使我们疯狂的仅此一物,那就是爱的消逝。唯一不足之处是,小说充斥着飞行和分裂的意象,影射主人公逃离的东德,这一比喻太露骨,反而减少品读并不完美却舐犊情深的父亲形象的乐趣。
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