接下来的电影蔓延伸展,半带疯狂地见证着最具美国特色的贪欲、工业、虚伪和喧嚣。同样可以完全不带声音地看下去,且丝毫不影响理解。
– Ann Hornaday, The Washington Post
4
千与千寻
Spirited Away (2001)
导演:宫崎骏
It’s hard to place any one of Studio Ghibli’s sweet, passionate animated films above the others, but Hayao Miyazaki’s Spirited Away does particularly stand out for its visual sophistication and elaborate themes of determination, courage and good cheer.
从吉卜力工作室诸多的甜美、富于激情的动画电影中选出一部最棒的并不容易,但宫崎骏的《千与千寻》确实以其高度成熟的画面语言、精心阐述的决心、勇气与乐观等主题而显得更加出彩。
Miyazaki’s story of a young girl trying to rescue her parents, feels like a throwback to an earlier age of hand-drawn animation. Made at a point where CGI was taking over animated features in theUS, Spirited Away has a lovingly handmade feel. It’s a traditional fairy tale turned into an exciting narrative of transformation and discovery.
宫崎骏这个关于小女孩努力解救父母的故事就像是带我们回到一个手绘动画的时代。在当时的美国,动画长片已基本上都由电脑绘图,但《千与千寻》却带着可爱的手绘质感。这部电影将传统神话打造为关于转变与发现的激动人心的叙事。
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