Rowling was in constant communication with Yates and serial Potter-producers Steve Kloves and Lionel Wigram. She would then: "depart for her hotel and spent two nights at her keyboard, returning having not slept but rewritten huge portions of the script, sometimes producing an entirely new draft."
罗琳与叶茨、哈利•波特系列电影制作人史蒂夫•克劳夫和莱昂纳尔•威格拉姆不断沟通后,便“赶回酒店,花上两晚不眠不休地码字,又将剧本的大部分重写,有时还会创作出全新的剧本初稿。”
3. Redmayne made sure that Newt's wand was animal-free
3.雷德梅尼坚信纽特的魔杖没有动物元素
Prop modeller Pierre Bohanna wanted Newt's wand to include an "animal component", such as Fawkes's phoenix features that can be found in both Harry Potter and Lord Voldemort's wand, but Redmayne refused: he was "insistent there would be no leather or horn involved. Newt wouldn't stand for that. "
道具师皮埃尔•博哈纳希望在纽特的魔杖中加入“动物元素”,就好比哈利•波特和伏地魔的魔杖中有凤凰福克斯的尾羽。但雷德梅尼拒绝了该想法。他“坚持认为魔杖不应该包含任何皮革或者动物犄角成分。纽特不会支持这种做法。”
4.The crew built 1920s New York on set at Leavesdon Studios
4.工作人员在利维斯登制片厂搭建出上世纪20年代的纽约城
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