electrifying[ɪ'lɛktrɪfaɪɪŋ]: adj. 令人振奋的;惊人的
Parasite 《寄生虫》
Bong Joon-ho’s latest film is a tragicomedy that explores the power dynamics between two families who live in very different social circumstances. Bong Joon-ho, director of dystopian climate-change sci-fi Snowpiercer (2013), has said he thinks Parasite may be too localized to be “100% understood” by foreign audiences. And yet the differences between the two families, he said, “mirror the universal gap between the rich and the poor”.
奉俊昊导演的这部新片是一部悲喜剧,探索处于截然不同的社会环境中的两个家庭之间的相互作用和影响力。曾导演过反乌托邦主题的气候变化科幻片《雪国列车》(2013年)的奉俊昊表示,电影《寄生虫》本土气息浓厚,可能无法被外国观众完全理解。但是这两个家庭之间的差异“折射出贫富人口之间普遍存在的鸿沟”。
dystopian[dis'təupiən]: adj. 反面假想国的;反面乌托邦的
The Dead Don’t Die 《丧尸未逝》
With a sequel to Zombieland, a prequel to Night of the Living Dead and a new Walking Dead spin-off in the works, the zombie genre is showing no signs of dying out. Even the Cannes Film Festival is getting in on the undead action, with beloved US indie director Jim Jarmusch’s star-studded feature The Dead Don’t Die.
《丧尸乐园》续集、《活死人之夜》前传和《行尸走肉》新番都在制作中,僵尸题材的热度丝毫不减,就连戛纳电影节也加入了这一行列。本届戛纳电影节上映的《丧尸未逝》由备受喜爱的美国独立导演吉姆·贾木许执导,多位明星参演。
【BBC推荐:第72届戛纳电影节必看影片】相关文章:
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2020-09-15
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