'Nebraska' gets to the heart of Bruce Dern's prickly old geezer, Woody Grant, by way of a road trip across Montana and Nebraska, shot in radiant black-and-white. (Here again one of the movie's stars is its cinematographer, Phedon Papamichael.) Alexander Payne directed, flawlessly, from Bob Nelson's stellar script, which is all about thwarted love, and reconciliation, between Woody and his son Will; he's played with painfully quiet eloquence by Will Forte. Here's the American heartland as it's seldom portrayed on screen, with humor and almost palpable fondness.
《内布拉斯加》(Nebraska)以明快的黑白片形式拍摄,通过一次穿越蒙大拿和内布拉斯加的旅行揭示了由布鲁斯•邓恩(Bruce Dern)扮演的易怒老头伍迪•格兰特(Woody Grant)的内心世界。(这部电影的摄影师芬顿•帕帕迈可(Phedon Papamichael)也参演了影片。)编剧鲍勃•尼尔森(Bob Nelson)炮制了优秀的剧本,而亚历山大•佩恩(Alexander Payne)的导演工作也无懈可击。这部影片讲述的是伍迪和儿子威尔(Will)关系不佳、最终和解的过程;扮演儿子的威尔•福特(Will Forte)极度平和的表演征服了观众。这里是很少在银幕上得到刻画的美国心脏地带,带着幽默和几乎可以感知的深情。
'Short Term 12' is one of those small indie features that stays with you in a big way. It's only 96 minutes long, a modest production set in a foster-care facility for troubled teens. Yet Destin Cretton's direction and Brie Larson's performance elevate the film to, well, one of the year's very best. Ms. Larson is almost a sure thing for not getting an Oscar-this year's competition is unusually fierce-but do catch up with her portrayal of Grace, a 20-something supervisor who is far from untroubled in her own life.
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