Now that Jiang has committed an auteur's inevitable ego-driven project about himself and his history - Ma's recollections of a Gallic romance mirrors the director's eight-year marriage with a Frenchwoman, while the materialistic Wanyan Ying and the artistic Wu Liu (played by his own wife) could be seen as Jiang torn between commerce and culture - maybe it's time for Jiang to step off his pedestal, cast his cynicism aside and engage with the real crossfire beyond his own comfort zone, and to reveal the state of mind a population who think they are calling the shots, but are actually only being stood there to be shot at.

如今的姜文已经证明了一位电影导演对于其自身和他的历史，会有无可避免自尊心驱逐计划——马走日法国式的浪漫回忆映射了他和一个法国女人八年的婚姻，而唯物主义者完颜英和艺术家武六（由他妻子饰演）可以被视为姜文在商业利益和文化追求上的进退维谷——也许是时候让姜文从他的基座上走下来，把他的玩世不恭扔到一边，离开他的安全领域去加入真正的火线战争，如揭露某些人的心理状态——那些自认为在发号施令，实际上却在站在那被射击的人。

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