Roger Ebert
Roger Ebert
In the insular world of cineastes there is no more momentous event than the list of the best films of all time, which is curated every 10 years by the redoubtable Sight & Sound magazine of the British Film Institute. This year's list, released in the August issue, represents a seismic shift. After occupying the No. 1 position since 1962, Orson Welles' 'Citizen Kane' (1941) was demoted to second place by Alfred Hitchcock's 'Vertigo' (1958).
在影迷圈中,没有什么比史上最佳电影榜单更重大的事件了,该榜单每10年由英国电影协会(British Film Institute)旗下的权威杂志《视与听》(Sight & Sound)评选一次。今年的榜单在8月刊上发布,它代表了一个巨变。从1962年起一直占据榜首的奥森?威尔斯(Orson Welles)的《公民凯恩》(Citizen Kane,1941)被阿尔弗雷德?希区柯克(Alfred Hitchcock)的《迷魂记》(Vertigo,1958)取代,降至第二位。
For decades 'Citizen Kane' seemed to reign by default. Then a challenger appeared on the horizon. 'Vertigo' made the list for the first time in 1982 and kept climbing.
几十年来,《公民凯恩》的统治地位似乎都屹立不遥然后,一位挑战者出现在了地平线上。《迷魂记》于1982年首次上榜,而后名次持续攀升。
Movie critics are constantly asked, 'What's your favorite film?' I found it easy to reply 'Citizen Kane,' hoping that my questioner's eyes would glaze over and I could avoid a debate. Now I can say 'Vertigo.' When I am told, 'I've never seen what's so great about it,' I can reply: 'That's fascinating from an autobiographical point of view.'
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