早在“绿色”成为一个广为人知的环保口号之前,《西游记》就从方方面面展现自然风光,从美丽的山峰、草地到潺潺的小溪、汹涌的河流,还有藤妖树精。(其中一集里,悟空在一个幻境树林中用挠树干的方法从一个巨大而邪恶的树妖的缠绕中救下了他的同伴之一,这让我回忆起了1939年上映的美国经典电影《绿野仙踪》。)
You might be tempted to think that the holy monk and his not-always-upright companions are an allegory for the conflicting parts of our personality that, only through teamwork, can get us through the adventures of this mortal realm.
你可能会忍不住想,圣僧和他并不总是正直的三个徒弟隐喻的是我们性格中相互矛盾的部分,让我们明白,只有通过团队合作,我们才能通过人世间的冒险。
Or, you could ignore such nonsense and just enjoy the magic-carpet ride of Journey to the West, which, though hobbled by the technological limitations of the 1980s, continues to cast its spell on viewers — including hapless foreigners like myself who cannot budge from the sofa.
或者,你可以无视这些废话,尽情享受《西游记》的神奇旅程,尽管它受限于上世纪80年代的技术,但它仍在吸引着观众——包括像我这样完全粘在沙发上的倒霉外国人。
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