The study of Lu Xun's cultural view is still a constant topic in the new century. Different from the past, when Chinese scholars deepen the topic of Lu Xun and Chinese culture, they no longer pay too much attention to Lu Xun's "anti tradition" or make a simple understanding of Lu Xun's "anti tradition", but adopt a more scientific, dialectical and realistic attitude of analysis. According to Wang Furen's long series "Lu Xun and Chinese culture", the relationship between Lu Xun and Chinese culture is that Lu Xun "does not absolutely deny any kind of culture in ancient China, but at the same time is disappointed in all the cultures in ancient China". Lu Xun "understands the cultural traditions in ancient China, and at the same time resolutely rebel against the cultural traditions in ancient China". Wang Furen also paid special attention to Lu Xun in the grand construction of the development of Chinese culture and history to examine the internal connection and generation of Lu Xun's thought and Chinese cultural subject, which is of great enlightenment significance for how to build Chinese modern culture. Lu Yaodong pointed out in Lu Xun and traditional culture during the May 4th movement that "Lu Xun at that time had a negative attitude towards the whole traditional culture with Confucianism as the main body, but had a positive attitude towards other cultural schools (such as Mohist School) and the alienated voice within Confucianism (from Qu Yuan to Cao Xueqin)." In Zhang Yongquan's "looking at Lu Xun's early cultural thoughts from heaven and earth", he believed that Lu Xun's stay in Japan "fully affirmed the traditional Chinese culture with universal respect for all things, especially for heaven and earth as the" root ", and the" all wise knowledge of justice and the system of state and family "based on it." It was only in the May 4th period that the fierce and profound criticism of the feudal family system and the ethical system was launched, and "it profoundly exposed the essence of the traditional Chinese view of heaven and earth. It turned out that this was only a deceptive means invented by the Confucians of all ages in order to carry out their ideas." Hu Zhaozheng's "heaven" and others in Lu Xun's works points out that "heaven" and "nothing" are interlinked in the sense of traditional culture, while Lu Xun's unswerving fighting goal throughout his life is to fight against "heaven". Shen Qingli's "on Lu Xun's view of peasant war" holds that although Lu Xun did not completely deny peasant war, Lu Xun did "take peasant war and peasant uprising as specific historical and cultural phenomena from the perspective of cultural psychology, and make unique and profound analysis and criticism." It mainly criticizes the barbarity and cruelty of the peasant war, criticizes the initiators of the peasant uprising and the peasant war, and reveals their "close connection with the primitive religion".
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