Probably more at ease unveiling his intertwining storylines across wide swathes of space inprint, Guo struggles to pace his plotlines. Rather than offering a script in which characters aresketched out of small but revealing and symbolic gestures, he has instead hedged his bets onpretty faces striking poses which try and fail to signify sadness. Tiny Times 4.0 is an anti-climax that brings an erstwhile controversial and cacophonous cinematic juggernaut to awhimpering close.
也许,郭敬明在小说中可以大篇幅地轻松讲述这些错综复杂的故事,但是在电影中显然就十分费力了。他在剧本里没有为演员安排那些细小但却揭示人物个性的肢体语言,却把赌注下在让俊男美女摆姿势上,却最终也没有传达出影片的伤感情绪。《小时代4》是一部反高潮的电影,将前作的种种争议与尖锐的评论,引向了一个冷冷清清的悲悯结局。
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