片中像鲍德温这样不墨守成规的人不够多,但是想用几个小时讲述白兰度丰富的人生(从在内布拉斯加州的童年到加利福尼亚州、纽约和塔希提岛等)似乎是不可能的。尽管如此,这部纪录片能让你对他的真实人生有一点了解。白兰度在晚年以离群索居而闻名,但他玩公共关系这个游戏很长时间了,这一点能从很多采访片段中看出来。你能在网上看到其中一些片段,包括1955年他接受爱德华·R·默罗(Edward R. Murrow)的《面对面》(Person to Person)节目采访时的片段,当时,白兰度刚凭借《码头风云》获得第一个奥斯卡奖。总的来说,那个采访很有深度,白兰度一直友好地配合,甚至在他十分厌恶的曾虐待他的父亲老马龙闯入采访时,他依然保持克制。
While its subject means that “Listen to Me is easy to like, Mr. Riley’s shaping of Brando’s wordscan make the movie, every so often, difficult to fully embrace. Mr. Riley’s handling of the fatal1990 shooting of Dag Drollet by Christian Brando, Brando’s son, is especially unfortunate, andthe use of some tabloidlike news material sleazes up the movie a touch. (Mr. Drollet was theboyfriend of Brando’s daughter Cheyenne.) Mr. Riley’s use of a disembodied, floating Brandohead created from digital scans that the actor made in the 1980s is initially amusing, but it’s aneedless distraction, as are the cutaways to murkily lit, messily appointed rooms that areactually re-creations of those in his Mulholland Drive mansion.
【白兰度在《马龙 听我说》中诉说一生风云】相关文章:
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