这部电影在叙事和表演上冷静而低调,它对于内外场景的运用富于心理暗示,它偶尔出现的画外音充满了想象力,这些旁白探究着、却挑逗般从不界定妻子矛盾的情绪。所有这些组合起来,创造出了一个充满洞见,犀利又微妙的成熟作品。无论在当时还是今日,都能引发共鸣。
— Geoff Andrew
No.56 重庆森林
Chungking Express, 1994
导演:王家卫
影评
These stories, about disconnections, loneliness and being alone in the vast city, are photographed in the style of a music video... What happens to the character is not really the point; the movie is about their journeys, not their destinations.
这些都是关于疏离、寂寞和孤身一人在大都市中生存的故事,摄影风格如同MV……人物身上发生的事情不是重点,重要的是他们的历程,而非目的地。
Wong is more of an art director, playing with the medium itself, taking fractured elements of criss-crossing stories and running them through the blender of pop culture.
王家卫更像是一个美术指导,他善于操控媒介本身,从纵横交错的故事中提炼出碎片化的元素,再把各种流行文化糅杂进去。
— Roger Ebert
No.54 饮食男女
Eat Drink Man Woman, 1994
导演:李安
影评
【BBC评出100部最佳外语电影,13部华语片入围,你看过几部?】相关文章:
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