Anticipating non-figurative art of the ensuing century, Turner's unfinished painting dares observers to be certain of what, exactly, it is they think they see, struggling to take form amid so much muscular light. Critics remain divided over whether the turbulent dawn depicted by the artist is alive with mythic dragons, with workaday fish, or with anything other than sloshing waves designed to churn up the imagination. Or perhaps, like the jellyfish itself, Turner's painting is a pulsing mirror in which we perceive who and how we are as we squidge across the universe: joyous or scared, lost or found, imperilled or free.
特纳这幅未完成的画作预测到了下一个世纪出现的非具象艺术,此画挑战观赏者去表达自我的视觉认识,确切地说,是要让观画者在画作强烈的光线中尽力去发现他们自认为是某个生物的东西。这位艺术家笔下黎明时分波涛汹涌大海中的生物到底是是神话中的龙、普通的鱼?还是只为了激起观画者天马行空想象的波浪之外的任何东西?至今评论家们仍然意见不一。或许,就像水母本身一样,特纳的画作就像一面跳动的镜子,让我们在大千世界蹒跚前行时可以用来照视自己,让我们感知自己是谁,感知自己是如何的生存:是快乐还是忧心忡忡?是自我迷失还是自我已寻回?是身处危难之中还是身心均自由?
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