More Chinese-language films are competing in the Panorama section: Dante Lam's supernatural thriller That Demon Within, Fruit Chan's adaptation of an online novel The Midnight After, Tsai Ming-liang's new segment of his experimental Walker series titled Journey to the West, The Rice Bomber by Cho Li, Ice Poison by Midi Z and Zhou Hao's auspicious debut The Night. This heavily Asian program is designed to promote art-house cinema with a clear auteur inclination.
Cao Baoping's Einstein and Einstein, about a teenage girl and her dog, is among the First Generation sidebar. The Movable Feast is picked for the Culinary Cinema program.
Besides those in competition, several Chinese-language films are on sale at the European Film Market, which runs alongside Berlinale. Most notable is The Golden Era, Ann Hui's upcoming biopic on female writer Xiao Hong. The pairing of Hui and Tang Wei is keeping many cinephiles in blissful prayer for something great.
Back to the main competition, Hong Kong actor Tony Leung Chiu Wai, a favorite with auteur filmmakers, is sitting on the judging panel, further arousing interest in China. As many as 73 percent polled on Sina.com were hopeful that Chinese-language films may bring home some kind of trophy.
中国电影缺席欧洲三大电影节之后,在第64届柏林国际电影节上强势回归。今年的柏林电影节将于2月6日至16日举行。本届电影节主竞赛单元共有23部电影,其中3部是中国电影。历时四年通过审查的《无人区》,由宁浩执导,反映了人性的黑暗。这部电影于2013年12月3日在中国上映,是一部叫座的商业大片,票房高达2.6亿元。
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2020-09-15
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