“它并不是干巴巴地宣传中国的灿烂美食文化。而是展示了制作美食的技艺以及它们的制作过程,还有老百姓的生活,这才在观众心中引起了美妙的共鸣。”一位互联网用户说。这档纪录片的成功要归功于真诚与真实。如今,许多的艺术作品拥有高投资、高科技、大场面,唯独缺少真诚与真实。
It is said sarcastically that Americans like to shoot sci-fi films because they have no history, while Chinese like to shoot time-travel dramas to the past because they have no future. The correctness of this arbitrary conclusion is debatable, but it has raised a thought-provoking question. Works that are created behind closed doors and fail to reflect reality or that only focus on the luxury lives of a few people and ignore ordinary people's desire for ample food and clothing will not touch people's hearts, be they about traveling to the past or the future.
人们不无讽刺的说,美国人喜欢拍摄科幻片,是因为他们没有历史,中国人喜欢拍摄穿越剧,是因为他们没有未来。这一主观判断的正确性是有争议的,但是也提出了一个发人深省的问题。那些闭门造车没能反映真实的作品或者只是关注到少数人的奢华生活而忽视老百姓对于丰衣足食的追求的作品是不会触及人们的心灵深处的,纵使穿越到过去还是飞越到未来都无济于事。
A Bite of China shows that a commercial documentary promoting patriotism can be full of touching details, that the emotions of ordinary Chinese people should be exhibited even in publicizing China overseas, and that even a completely commercial program can achieve both artistic and commercial success.
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