9. Never trust the polls
9.千万别相信民调
It was the lesson of the UK general election and it’s the big ‘takeaway’ from Cannes too: prediction is a mug’s game. All week the chatter was that Todd Haynes’ lesbian love story Carol was set to collect the Palme d’Or – or that Holocaust drama Son of Saul from first-time director László Nemes would triumph. In the last few days a consensus began to form around The Assassin from Taiwanese director Hou Hsiao-Hsien; according to British bookmakers, The Lobster was the one to beat. But when Jacques Audiard’s Dheepan was announced as the winner, the response was a collective “really?” For all the pundits, critics’ panels, insider gossip, statistics and God knows what else, few had picked it. Oh well: c’est la vie.
英国大选就是个教训。民调也不过是戛纳的“外卖餐点”:预测是傻瓜才干的事。一整周,坊间盛传托德•海因斯的女同性恋恋爱故事《卡罗尔》将斩获金棕榈最佳影片奖,或者拉斯洛•杰莱斯László Nemes 处女作《索尔的儿子》Son of Saul将折桂。最后几天,共识则是来自台湾的导演侯孝贤(Hou Hsiao-Hsien)指导的《刺客聂隐娘》(The Assassin)将问鼎大奖。且据英国博彩分析,《龙虾》是个难缠的对手。但是,最终宣布雅克•欧迪亚Jacques Audiard’s 《流浪的迪潘》Dheepan获奖时,大家一致惊讶表示:“真的吗?”所有的评论员、影评人小组、内部八卦、数据统计、上帝都知道,只是少有人提及罢了。好吧,这就是生活。
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