这部关于数字文化起源的电视剧从上世纪80年代讲起，最后一季带我们回顾万维网的普及。在这一季里，卡梅隆（麦肯齐•戴维斯饰）和唐娜（凯莉•比什饰）充满麻烦的合作关系恢复如初，他们对发现的热情被那句神奇的话重新点燃：“我有一个想法。”

Lady Dynamite

《炸天女郎》

Things got weird in 2017. Television seemed at times to be dreaming, serving up ambitious hallucinations like “Legion” and “The Young Pope” as well as surrealistic curiosities like “At Home with Amy Sedaris.” The second season of Maria Bamford’s first-person comedy was the disorienting tops, using fractured storytelling to capture the experience of living and working with bipolar disorder from all angles.

2017年有点诡异，电视机好像有时会做梦一样，播出的作品包括《大群》和《年轻的教宗》等雄心勃勃的虚幻作品，以及《和艾米•塞达里斯一起在家》等超现实作品。玛丽亚•班福德这部第一人称叙事喜剧在第二季达到了混乱的巅峰，采用断裂的叙事方式，从各个角度展现了和躁郁症患者一起生活和工作的经历。

The Leftovers

《守望尘世》

The last season of this series about faith, loss and mystery was constructed like an octagonal chapel, each of its eight episodes a stained-glass window lit with emotion and humor. It may or may not have answered its central question — what happened to millions of people who vanished from the earth — but it was a powerful expression of the ways people soldier on through the unknown.

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