SLAGLE, PATRICIA A. 1997. "Getting Real: Authenticity in Writing Prompts." The Quarterly (19) 3.
13. Practice and play with revision techniques.
Mark Farrington, college instructor and teacher-consultant with the Northern Virginia Writing Project, believes teaching revision sometimes means practicing techniques of revision. An exercise like 'find a place other than the first sentence where this essay might begin' is valuable because it shows student writers the possibilities that exist in writing.
For Farrington's students, practice can sometime turn to play with directions to:
add five colors
add four action verbs
add one metaphor
add five sensory details.
In his college fiction writing class, Farrington asks students to choose a spot in the story where the main character does something that is crucial to the rest of the story. At that moment, Farrington says, they must make the character do the exact opposite.
"Playing at revision can lead to insightful surprises," Farrington says. "When they come, revision doesn't seem such hard work anymore."
FARRINGTON, MARK. 1999. "Four Principles Toward Teaching the Craft of Revision." The Quarterly (21) 2.
14. Pair students with adult reading/writing buddies.
Bernadette Lambert, teacher-consultant with the Kennesaw Mountain Writing Project (Georgia), wondered what would happen if she had her sixth-grade students pair with an adult family member to read a book. She asked the students about the kinds of books they wanted to read (mysteries, adventure, ghost stories) and the adults about the kinds of books they wanted to read with the young people (character-building values, multiculturalism, no ghost stories). Using these suggestions for direction, Lambert developed a list of 30 books. From this list, each student-adult pair chose one. They committed themselves to read and discuss the book and write separate reviews.
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