这次未能进行的合作本是佩钦科首次尝试指挥爱乐乐团演奏一首标准意义上的交响乐作品,可以说佩钦科管弦乐的作品很难和其他部分候选人匹敌。而他的沉默――周一他曾拒绝接受采访――也是一个国际乐团要面对的挑战,爱乐乐团曾十分重视拉特尔向观众和新媒体一类平台谈论艺术的能力。
But Mr. Petrenko has won fans wherever he has conducted, and has become known for hisexacting standards. His work at the Bavarian State Opera in Munich has been praised, andofficials there said on Monday that they still hoped to extend his contract beyond 2018. (TheBerlin orchestra declined to give Mr. Petrenko's official start date, suggesting that details ofthe new engagement had yet to be negotiated.)
但佩钦科无论到哪儿演出都能吸纳新的粉丝,并以他特有的严厉标准而闻名。他在慕尼黑的巴伐利亚国家歌剧院的工作也饱受赞誉。官方周一称希望能将他的合约延长到2018年后。(柏林爱乐乐团还未给出佩钦科的正式就职日期,表明雇佣的一些细节还有待商榷。)
He received acclaim for his earlier run as music director of the Komische Oper in Berlin, as wellas engagements with the Chicago Symphony Orchestra, Cleveland Orchestra and otherensembles. In 2012 he led a production of Mussorgsky's "Khovanshchina" at the MetropolitanOpera that was a highlight of the season. And in 2013, his conducting of Wagner's "Ring" cycleat Bayreuth was applauded, even if the production was not.
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