虽然这部纪录片的主题意味着,你应该很容易喜欢上它,但是赖利对白兰度话语的塑造常常让你觉得很难完全接受它。1990年,白兰度的儿子克里斯蒂安·白兰度(Christian Brando)枪杀了白兰度女儿夏恩(Cheyenne)的男友达格·德罗莱(Dag Drollet)。赖利对这一事件的处理尤为失败。另外该片还选用了一些小报式的资讯材料,拉低了影片的档次。赖利用白兰度在80年代进行的数码扫描做出了没有身体的、漂浮的白兰度头像,这东西一开始让人觉得挺好玩的,但它没什么必要,而且会分散观众的注意力。白兰度穆赫兰道宅邸里灯光昏暗、布置凌乱的房间的剖面模型,也同样没有必要。
Brando doesn’t need that kind of embellishment, and neither does this movie. As his admirerJames Dean probably knew all too well, Brando was a true rebel, partly because he thoughtbeing a star was absurd and partly because, as clip after clip shows, he always had a cause,whether it was civil rights, black power, Native American sovereignty or his ownindependence. At its most satisfying, “Listen to Me Marlon brings you close to a man whoselegacy seems to have been tarnished less by his widely reported (and misreported) actionsthan by an entertainment press that punishes those who refuse to play the game. Brandofound the game ludicrous. But he played along until he didn’t, and while he occasionallysuffered the consequences, along with too many fools, his work outlasts it all.
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