其他人则替莫言辩护,称他偶尔遵从党的路线令他在中国得以发挥社会影响力。而异见作家的作品在中国国内则几乎没有影响力。他们同时指出他的很多作品至少间接批评了政府。
'We wouldn't know half as much about China's awful history in the villages of ordinary people if we didn't have Mo Yan's books and novels,' Swedish academy member Per Wastberg said in an interview.
瑞典文学院(Swedish Academy)成员瓦斯特伯格(Per Wastberg)在接受记者采访时说,如果没有看到莫言的作品和小说,中国乡村普通百姓的那段不堪回首的历史我们连一半都了解不到。
Mo Yan, who has been credited as one of the first to combine magic with gritty everyday life, was awarded the prize for work that, 'with hallucinatory realism merges folk tales, history and the contemporary.'
莫言被认为是第一批将幻觉和粗砺的现实生活结合起来的作家之一。他获得诺贝尔文学奖是因为他的作品用“梦幻般的现实主义将民间传说、历史与当代融为一体。
Mr. Wastberg defended the academy's choice both on literary and political grounds, arguing that Mo Yan is one of the world's most remarkable story tellers and one of its sharpest contemporary social critics.
瓦斯特伯格从文学和政治两个角度替瑞典文学院的选择辩护,称莫言是当今世界最出色的讲故事高手之一,也是当代最犀利的社会批评家之一。
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