Despite its tragic strains, 'To Live' manages to redeem itself from the 'rural misery' stereotype that plagues many modern Chinese epics. As we follow the shifting fortunes of Fugui and his family through the capricious evolution of 20century Chinese politics, from the Republican to the Communist period, the Great Leap Forward to the Cultural Revolution, what emerges is a meditation on the nature of suffering itself, and the considerable resources the human spirit employs to lessen its sting.
尽管《活着》烙有悲剧故事的特性,但它还是跳出了现代中国文学作品惯用的“乡土苦难”的老套模式,从众多庸作中脱颍而出。这部小说讲述了福贵及其整个家族在20世纪中国政局风云变幻中浮沉起伏的过程:从民国时期到共产党执政,从大跃进到文革时期。故事揭示了有关苦难本身的思考以及人类精神上所依仗的、用来减少人生痛楚的大量财富。
The result is not a simple accumulation of misery, but rather a clear-eyed attempt to come to grips with the fact of misery, fortified by the sublime assertion that this unflinching attempt is in itself worthwhile. In this sense, the satisfaction of reading 'To Live' is comparable to that of reading existential philosophy--just watch out for the cathartic punches. They could knock you flat, as they did to me when I burst into tears while reading this book on a road trip, leaving my travelling companions perplexed. None of them knew the name Yu Hua. All I could do was point to the book in my hands, and say, 'It's China, man.'
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