'Han Han's generation experienced the chaos in the 1990s and later got access to truth thanks to the Internet,' said Fang Li, producer of 'The Continent.' 'To me, Han Han is not rebellious at all but simply daring to tell the truth.'

《后会无期》制片人方励说，韩寒这一代人经历了上世纪九十年代的纷纷扰扰，后来又因为互联网的普及接触到了真相，在他看来，韩寒一点都不叛逆，他只是敢于吐真言。

Though soaked with the same satire as Mr. Han's novel, 'The Continent' is less politically conscious than his novels and previous commentaries. (China's rigorous film censorship system is stricter than the country's publishing industry.)

虽然《后会无期》和韩寒的小说一样充斥着同样的讽刺元素，但影片和他的小说以及以前的言论相比政治意识弱了一些。（中国的电影审查制度比出版审查制度更为严格。）

'He does pay a lot of attention to social reality in the film, but not deliberately showing it,' said Mr. Fang, a veteran producer of art-house films. '['The Continent'] is a film for mass audiences,' he said. 'If you shoot something that cannot pass censorship, what is the point of making it?'

艺术电影老牌制片人方励说，韩寒在影片中对社会现实给予了大量关注，但又没有特意凸显社会现实。他说，《后会无期》是面向大众的，如果你拍一部不能通过审查的电影，那拍片还有什么意义？

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