最重要的是,这部电影温和地探究到了人性深处,并将之呈现给了不了解伊朗甚至仇视伊朗的人们。
While many are ignorant about the country per se, they are fascinated by what Iranian filmmakers have to offer – something that is the opposite of Hollywood blockbusters.
很多人忽略了这个国家本身,他们被伊朗电影制作人所拍摄的与好莱坞大片不同的内容所吸引。
Iranian films are often about families and friends, daily routines that do not lend readily to screen dramatization.
伊朗电影描述的通常是家庭、朋友以及不容易产生戏剧冲突的日常生活。
Yet many of these works are engrossing because they show the microscopic nuances of human dynamics within these limited ranges.
但很多这样的作品却是引人入胜的,因为它们在这些有限的范围内表现出了人类行为微观上的细微差异。
电影大师阿巴斯
Abbas Kiarostami is an Iranian film master who is held in very high regard in China. Scholarly pieces and volumes have been devoted to the analysis and appreciation of his films, including Taste of Cherry and The Wind Will Carry Us.
阿巴斯·基阿鲁斯达米是在中国受到很高评价的伊朗电影大师。很多学术作品都致力于分析鉴赏他的电影,包括《樱桃的滋味》和《随风而逝》。
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